Thrift and Drift

Wrex Wyatt is up at three something, wants out, and wakes up the other dogs, but I’m not buying. Four something comes and goes and I’m winning the war of sleep, but at five Wrex paws at me, hitting my cell phone and it lights up. The look on his face is epic. Wrex has discovered fire, well, at least light, and is amazed. I should not leave the phone on the charger overnight, and I know it.

Up and writing, or trying to but the Muse is silent, waiting for me to do something, waiting for me to offer a cue so she can, like a woman at a bar looking at a man, wondering if he’s going to speak. My main character treats me as if we’re on a first date that’s going bad, quickly, and she isn’t speaking either. It’s time to move.

Thrift Stores speak to me. Inside one of the largest in town, castaway items crowd to the front of every flat surface wondering if they will ever find a home, or like a vaudeville show of old, just be on permanent display until the store goes under. An odd piece of furniture, part desk, part dresser, and all mutant speaks loudly. Painted by a five-year-old on acid, if I didn’t put a ban on me owning more stuff years ago I would buy it. Produce and buy until you die. No more of that for me.

Used bookstores are dead, reading is dying, and writing is being turned over to machines. The only bookstore in town is huge, lifeless, and lacking any reverence for books, and more like a prison, where books are sentenced, no pun intended. I look for old favorites, books that changed the way I see life, and it’s like going back to a childhood home that’s now in a subdivision with a strip bar next to a title loan place.

The big box hardware store is next for as a homeowner and a gardener, I never run out of things needed for one or the other. A woman, tall, blonde, and wearing jeans she was poured into walks past. I remember the first time I heard the phrase “peasant stock” in reference to a woman who wasn’t small of build, and I’m sure the person who said it would say it again here. But this woman has a glide to her walk, a slow shifting of mass and movement that speaks to physical grace as well as a body that is accustomed to moving in rhythm and in passion. The man with her stays close, but not possessively so. These two, I feel, have been together for a while, and their union has produced strong mutual attraction.

Once inside, I wonder what it would take to have a rain barrel on a stand, to produce water pressure, and for storing rainwater for the compost pile. And this speaks to me, too. Weight up high is never easy and shouldn’t be considered lightly. Fifty gallons of water will carry four hundred pounds of liquid mass, and that’s impressive if it were to ever start moving. Creative juices now begin to make their way through my brain. A metal stand, six fence posts, and some plumbing, yes, this is doable.

The Muse is delighted by all of this, and she wants more. Fiction writing later, she promises, and so right now, we start thinking about the Hickory Head Water Tower.

Take Care,

Mike

Last Station

        

“Get them moving, Mike, we can’t wait,” the man tells me. He’s right and I know it, but it’s hard to convince people just to drop what they have in their hands, what they have pushed in a baby carriage or a wheelbarrow, or however they got it here, just to drop it and go.

            It’s like looking at the world’s biggest yard sale, with items from their homes, things they remember, things they’ve owned since they were children and now, they have to move fast, and leave it all behind.

            “It’s my grammy,” a woman sobs, “she raised me, this photo is all I have left of her, there’s room for a photo, come on, it’s not that big.”

            “Nothing,” I tell her, and keep walking as she wails. It hurts doing this, but we have to go, and there’s no time left.

            “Look, look,” a man paws at me holding up a golden figurine, “I’ll split the money with you, this is an antique, it’s worth a lot, I’ll give you half.”

            “Drop it, and keep moving, drop it and keep moving,” that’s my mantra.

            “I can take Gary?” the little boy asks me, and children are the worst, and when their parents aren’t around its heart wrenching. He’s holding up a fuzzy stuffed animal.

            “No, you have to keep moving, there’s no room,” I tell him and he drops his head, tears falling.

            “You don’t have to be this way about it, they’re confused, lost, they have no idea what’s going to happen,” a woman snarls at me.

            “And you do?” I ask, pausing for just a moment.

            “I, uh, I made my peace with it,” but she suddenly falters, looks scared.

            “The job is yours if you think you can do it,” I tell her, and I keep moving. She’s pretty, and in another time, I would talk to her, but now it’s over, and the end is near for all of them. We’re pushing them forward, tears, questions, anger, resentment, but behind there is nothing left at all.

            Then it is over. I sigh. Looking back, to the horizon are suitcases, photos, beloved items that mean nothing and are worth nothing to anyone who still lives.

            “More coming in a few seconds, Mike, get them moving.”

            “Okay.”

Fencing, After the Rain

Rain, more rain, then it rained. Yesterday was nonstop waterworks, and that meant the fence might be down. The hotwire around the perimeter definitely. Dawn arrived late, cold, wet, raw, and the wind drove all warmth away from bare skin. The dogs went out with me, but only Budlore Amadeus remained. Bud has a sense of mission, the idea if I am out in the woods working someone ought to be with me, and that someone has to be him.

Bud and I walk the perimeter first. I look for one of the giant trees to fall one day, or shed a large limb, and that’s going to be a job that takes an entire day, or many. Those huge limbs from older Oaks weigh tons, not pounds, and Live Oak wood is dense and knotty. I hope nothing like this has happened, but if I live long enough I know it will.

The perimeter walk shows only one small tree has fallen on the fence, but I’ll need to lift it from the base to move it. It puts up a fight, wedges itself between a larger tree and the fence, so I have to wiggle it up, work the end of it away from the bind. Bud doesn’t like me being on the other side of the fence, and he watches with his ears up, his body tense, and a look of concern in his eyes. Bud is a simple creature; if it is different it is wrong in some way. This is an animal that has some sort of working breed in his DNA. Bud is a guard dog, a protector, and the only way for anyone to be safe is for everything to be exactly the same all the time. The tree gets freed and I go back over the fence, and Bud is happy. But the hot wire is as cold as the wind.

The pack I have now is the most secure that’s ever lived here. Bud is not going to leave the yard. He’s been out there and he didn’t like it. He certainly isn’t going to leave Mom, ever, for very long. This might be the only real home Bud has ever known. His job is here. Mom is here, and Mom is Bud’s real mission. Jessica Elizabeth won’t leave Bud. She is his shadow and isn’t looking to escape. Wrex Wyatt has bolted out of the front door two or three times, but he never goes far. Lilith Anne can’t walk away from home, much less run. Lilith is not long for this earth, and it will be sad when she goes. Lilith is the last member of the First Pack alive. Her passing will mark the end of an era in my life.

Of course, minor branches, small limbs, and downed Spanish Moss litters the fence. That’s normal. None of this is enough to ground out the hot wire, but I’ve done this so many times before, so I know there’s got to be something. Finally, a limb that has pinned the wire to the fence is discovered. Small, and not a problem, yet it’s grounded out the wire. I remove it and put the tester to the wire. Four lights blink on and off, the pulsating power of the fence charger now energizing the tester.

Bud thinks we ought to walk the perimeter again, just to make sure, so we do. Bud zooms ahead, stops to mark his territory, sniffs the fallen limbs, marks them, and if I had ten acres he might die of dehydration. I find small stuff on the fence, noting serious, and pull a vine out that was creeping up the fence. But overall, it wasn’t as bad as I feared.

I’m cold. Bud is cold, and the wind picks up. We’ll have to do this again tomorrow morning, I’m sure, but for the moment, both Bud and I are heading inside to warm ourselves. The fence is up, the electricity is coursing through the wire, and Budlore Amadeus has once again kept me safe from anything evil. We stop on the deck and I scrub his back, pet his ears, and tell him what a good dog he is. Bud wiggles with excitement, happy that he got to go out and work with me, and happy to return to the rest of the pack, and the warmth of home.

Take Care,

Mike

Darwin, Newton, and Me.

It’s so rare when a new form of stupidity surprises me in traffic it’s almost enjoyable when it occurs. Almost. The thing about traffic that some people seem to miss is traffic laws are a social construct that are transmutable, and the laws of physics are why people die in traffic, in horrible ways involving twisted metal, blunt force trauma, blood, fire, broken glass, and people behaving poorly after the event.

I would apologize for the digression, but honestly there seems to be a certain large proportion of the motoring population who do not understand the forces driving, no pun intended, vehicle accidents, and how to avoid these events. Rather, they seem bent, again, no pun intended, on daring Newtonian Physics to work against them.

Like Darwin, Newton has no fucks to give.

The car in front of me eases forward, we are both in the left turn lane at an intersection, Gornto and Saint Augustine, turning onto Gornto from the west, and all is well. There’s a line of cars behind me. Ahead is clear, the lead car has time to turn without tempting his particular god or Newton to smite him. He turns ever so slowly, and then inexplicably, he stops in midturn. 

Did he die? Did his car quit? Was he the one person in south Georgia that actually was Raptured? Did he stop to finish singing a Taylor Swift song about loss? I look forward. Cars are coming. I need an escape route if this gets any stranger.  Check mirrors, I can go straight into the left turn on the other side, illegal, scary, but the lesser of many evils, the greatest of those in traffic is not doing a goddamn thing when you could get the fuck out.

Get. Out.

Don’t stay with it. If someone is doing something stupid, just get away from them. Go. It doesn’t matter if you have to go ten miles to turn around, or if you miss your turn, or anything. Just go. Leave the circus, because Brother, I am here to tell you one thing for certain and that is stupid rarely self-cures and it most definitely gets worse before it gets any better.

The car eases forward, horns are honking now behind me, and the window of opportunity for escape is closing, but he is moving forward into the turn, and he stops. Again.

Now the only out is to pass him. It’s a single lane at that point, and to pass I have to go into the double left turn on Gornto, but that is still better than sitting still. Cars are coming towards me. The guy behind me is losing his mind; he is likewise trapped. I make eye contact with him in the rearview. “Follow me!” I send that thought and I am getting the hell away from all of this now.

Suddenly, the guy goes forward. Slowly, but forward, and I’m good, the guy behind me is good, but we’re the only two to escape. This guy in front is going ten miles an hour, but he’s moving.

He makes a right turn at Publix, and I am free. The guy behind me follows the offender into the parking lot. This might go poorly, but I am moving on.

I have never seen that form of stupidity before. It was amazing.

Take Care,

Mike

Forgive me Father Firesmith, For I Have Sinned

Early one morning, as in somewhere around three, I was talking to a co-worker while waiting for the road crew to start work again. A piece of machinery had died, and they had another on standby, but it would take an hour or so for it to arrive.

“I don’t really believe in God,” he said in a near whisper.

As the only atheist most people in south Georgia have ever met, I was used to this sort of admission. In the four different offices I had worked out of in my career, three of them had at least one person to tell me their faith was for show, and in an office where I worked temporarily, two people sought me out to tell me they lacked faith.

None of these people were willing to go public with this information, and I wasn’t going to out them.

Most people who confess, or unconfess, enjoy their life the way they are living it. They like going to church functions, they like the friends they’ve met while there, and they hope their kids grow up to be part of the same community they are involved with.

They simply do not believe.

“I never have believed,” the co-worker continued. “It’s never made sense to me.”

And this is how it happened with me, too. I never have bought into the whole supernatural thing. It’s like at Christmas when you hear the older kids talk about finding presents hidden in the store room, or suddenly the store room door is locked all of the time, or some kid wakes up to the sound of a bike being put together on Christmas morning. After a while, Santa Claus seems implausible, and finally, impossible.

The problem with Santa is parents realize threatening their kids into good behavior over his visit works. The same holds true for religion. It’s not a question of actual belief but rather having a system in place to guide behavior. Sin is bad because God said so and that’s the end of the debate.

It works, to a degree, or at least enough people pretend to believe, and that also works.

The wild thing about Christianity is you can judge people harshly for not believing, and trust me here, being honest about not believing in south Georgia has no benefits whatsoever, is that the same people most condemning of atheism are the same people who have the most trouble staying faithful in the marriages. Adultery was common among the men I worked with, and some of them were the most ardent fans of going to church every time the door opened.

Oh, but no worries, they are forgiven.

Martin Luther changed the way Christians looked at the ethereal world when he nailed his writings on the church door. At the top of the list his disapproval of people being able to pay the church to forgive their sins. Yet what does American Christianity do but call people good simply because they show up for church? They pay to keep the lights on, to keep the widescreen televisions blaring out the image of the high paid preacher, they have a place to go on Sunday morning to pay to be forgiven for what they did on after work during the weekdays.

Nothing has changed since 1507, has it?

Take Care,

Mike

Rabbit Holing.

I’m Rabbit Holing this morning and cannot stop. A story set in Savannah Georgia has to have landmarks and street names, and even real places, so I do a search for Savannah and then start mapping. But then I need Civil War dates, and I need historical figures, and battle names and it is on.

I grew up one hundred years after the Civil War was fought, and the south not only lost the war, but was left in a state of economic ruin, which is what you get when five percent of a region holds ninety-five percent of the wealth. There’s a lot to unpack in that last sentence, but that’s another discussion for another day. That’s a very large, and very deep, Rabbit Hole.

There’s no real reason for this story to be historically accurate. The part that occurs in Savannah is a chapter or two. There is no reason for this sort of detail, except I want it. I want to put the scene in a bar where a band is playing to feel like it is in Savannah, no not way back when, but today, yet with the past hanging over the older people there, like it does me sometimes.

I was a kid when George Wallace was shot, and some people thought it was a sign of the Apocalypse. Yeah, but they thought that about bar codes, too, small group of people, so there is that.

But now I’m wondering if I ought to take a trip, or three, to Savannah, and find a local bar somewhere, meet some strange people, and set the story right there. I know people in that town, and perhaps that the way to do this, truly, but at the same time, something suggests that going solo would be better.

There is danger, real danger, is having even a chapter set in a place that is a floating island of history. If you get there, you might have to stay there, write more about it, and then suddenly the scene is the story, and all is lost, or all is found, it all depends on how it’s written.

Better, now that I think of it, to write a little, leave something dangling for one of the characters to return to, years later, or perhaps the daughter of one of the characters, returning to find the path her mother made into music.

See? See how easily one hole opens and none of the others close?

There’s a feeling I get sometimes, all of this is necessary, essential even, a story has to have more that wasn’t written than was. A reader who is really into the tale will feel it, will see the Rabbit Hole open, want to follow it, seek out my desires to go elsewhere, but return to the path, sensing the depths of the story untold.

Take Care,

Mike

All Preachers Are Grifters

Watching the cursor blink, waiting, waiting, the first sentence was going to read, “I don’t like preachers” which would have been accurate, but imperfectly so. Let us try this, shall we:

I dislike preachers.

Yes, that’s more to the point, stronger, and says what I want the sentence to say.

This morning, zero early hours, I’m in the waiting room at the doctor’s office to give blood for my yearly checkup. I hope I don’t have rabies. After almost dying a couple of years ago or so, I’m more than a little paranoid about getting looked at once a year.

            The waiting room fills up, like a wading pool of sickness and injury, and the room may or may not be a launching pad into the Great Unknown.

            A man is talking to a woman, and he’s loud. Loudly loud. He has a spiel. I’m under the impression these two have never met, but he keeps telling her how “blessed” she is and how “blessed” he is, and how “blessed” it is to be here, bless his heart.

            He laughs every time he finishes a sentence, as if he’s a comedian. And the laugh is the same laugh every time. It has four syllables, like Ha ha ha HA! With the last syllable accentuated. I stop reading to watch. He’s talking loud enough for everyone in the room to hear him, and when any preacher does this, he’s sharpening his knives.

            He asks the woman questions, “Where do you go to church Ha ha ha HA?”

            “Oh, I go over there on the west side of town, it’s Unified Christian Hypocrites, and. . .”

            “Do you like it there Ha ha ha HA?”

            “Oh yes, it’s a good church, we…”

            “Who is your pastor? Ha Ha Ha HA”

He’s not only pumping her for information, getting her to talk faster and faster to keep up with him, he’s also making her feel more and more like she should. Used car salesmen use this technique to work people into buying a car. It’s fast, effective, and slimy as the feel of a preacher’s hand on your shoulder.

But this is minor deception, a sort of exercise, warming him up for bigger game, and I can feel it. The only difference between a preacher and a homeless person lying to get a few bucks is the homeless person has to be somewhat honest; preachers tell the biggest and the most lies than anyone you will ever meet, and their livelihoods depend on their ability to be great liars. This man is good.

“Mr. Marshall?” the receptionist calls, and the preacher stands up, makes a fuss about saying good by to the woman and have a blessed day.

“I’m Reverend Marshall,” he says with just a trace of that judgmental tone of voice that she should have known that was his title but she was too sinful to be aware. I’m sitting close enough to hear him. So were you, if you were in the same zip code.

“Reverend Marshall, you’re a new patient, we’re going to need cash, or a credit card, or a cashier’s check for your first visit,” the receptionist tells him. There’s a sign on the wall that has this information on it, at eye level, in a 48 font, bold. I’m also sitting close enough for the fumes coming off Marshall to choke me. He’s wearing some sort of perfume, cloying, sweet, and powdery, like cotton candy scented drywall dust.

“The Lord takes care of me,” Marshall says loudly.

The receptionist is a woman who has heard it all before, even if she hasn’t heard this before, it doesn’t matter.

“Yes sir, I’m certain he does. You’re a new patient, we’re going to need cash, or a credit card, or a cashier’s check for your first visit,” she repeats, and doesn’t bat an eye.

“The Lord takes care of me,” Marshall says loudly. “Ha ha ha HA!”

The receptionist sits there, counts to ten, silently, and then repeats what she’s already said.

Marshall laughs and waits.

The receptionist cocks her head to one side, and waits.

Marshall pulls out his wallet and says, loudly, “Money is the root of all evil, ha ha ha HA!”

“Thank you, sir,”

I give three vials of blood to the phlebotomist, while Marshall is talking to a guy who looks older than me by half again. Marshall is doing his rapid fire question routine but the other guy is hard of hearing, and hilarity ensues.

I pick up my paperwork and leave the medical professionals to the circus that’s come to town.

Take Care,

Mike

Dreamscapes and Damascus

One of the reoccurring Dreamscapes is a building built on a slight rise, so the sidewalk in front of it would be great for skateboarding if concrete wasn’t broken up and cracked so badly. An awning once stood over the length of the sidewalk, but it’s missing in places. The flagpole stands naked. Why the building was abandoned, I have no idea, but the grounds have been kept somewhat, yet it’s deserted, mournful and empty.

More than once in my life, and often in my dreams, I’ve looked at a house or a structure and wondered what the designer had in mind, or if they were just making it up as they went along. Of course, all the Dreamscapes come from my mind, and I wonder what it says about me that this building exists in the form it’s taken.

Early in my career in transportation construction, there was a program that would give each congressional district X number of feet of roads to be resurfaced. These were not highway projects, but meant to be doled out to poor counties and small towns, and usually it amounted to resurfacing a street four of five hundred feet long, in a town with a few hundred citizens. Over the years, I paved roads in dozens of little towns and out in the middle of nowhere county roads, and I swear that building exists somewhere out there.

Damascus, Lawrence.

Life is stranger than fiction. Damascus Georgia, a small town, even for small towns, is the place I began writing, even though I was only there for a few hours. The building in the Dreamscape is possibly larger than the town of Damascus, yet somehow, the two locations, one in south Georgia and the other existing, possibly, only in my mind. I keep thinking I will go back to Damascus, to see if what I remember is still there, but it’s been over thirty years now, and it is possible reality doesn’t exist the way I remember it, for it rarely does.

Kestler.

That would make sense. The original name of Damascus was Kestler. I’m Rabbit Holing now, predawn, coffee setting in, mind bouncing around like a kid out in the rain, following each scrap of information like a Holy Grail. I’ve looked at Google Map shots, tried to find the street, think I might have, but it has been thirty years.

Having no basis in reality, how accurate is a Dreamscape each time it’s visited? Created wholly by the mind, is the mind readily accepting each new version as an exact replica of the last, and the first? Unless a dreamer was to draw a map of the building, each detailed defined, is each dream a newer representation of the same feeling of the building? Is the flagpole a new detail, yet my mind convinced it was there the last time?

There’s no way to tell when the mind is telling you’re the truth, because you are the mind.

Nothing we sense as the truth is totally real, or totally not real. We’re seventy percent water by volume, and if we could get that proportion of reality out of our daily lives, or our dreams, we would be, I think, never aware of it.

Take Care,

Mike

When Your Dog Died, Remember?

Remember when you were a little kid, maybe five years old, and you were watching something on the television? For whatever reason you liked it, you really liked it, but you didn’t have the same concept of time you do right now. A half hour in front of a television when you were a kid seemed to last longer, because you hadn’t developed a sense of time the way you would later in life.

At five, you’re not thinking about everything you have to do, a job, school, death, bills, alcohol, or any number of things that will invade your thoughts later in life.

Later in life, your thoughts will be crowded by much different issues, depending on what’s going on.

Even at the age of ten, you are still a kid, but now there are team sports, you’re beginning to notice other people as a gender, as a function as attraction, your ability to read has evolved, you’ve done things, illicit acts, your parents would worry if they found out, you realize life is more complicated than it seemed five years ago, and five years ago seems to be a long, long, time.

But then at twenty, ten years seems to be a long time, and at forty, if you’ve been married for five years at that point, it may, or it may not, seem to have lasted forever.

But then at fifty, see how I jumped there, because the older you get the shorter ten years can be, but now a half hour show is short, and how television is used, movies, binging, DVDs, series, makes the experience so much different.

Your memories, what actually happened, never really did. Yes, of course your dog died when you were five, and it hurt. But each year that memory is changed by who you’ve become, and who you once were is gone, and so is a vital ingredient of that memory. The person you are has no idea who you were because you have no mechanism to feel that change. All you have is memory, and because you cannot remember a password you reset an hour ago, you know memory is flawed.

            And this all gets much worse.

            You were sad your dog died and you still are sad when you remember the event. That tells you all you need to know. It’s the emotion of the event, not the event itself. You might not even recognize the dog if he walked up to you, but surely you would, because of photos and videos, but would you really know? It’s how you feel that creates memories, not the physical world. Do you remember the day of the week, what you were wearing, the hour of the day, the color of the shirt of the vet, a million details lost forever, added, deleted, forgotten, changed, but pain lingers, doesn’t it?

            Were you five? Your sister remembers you being six. Your mother remembers it happened much earlier. If you have photos or a video, you have a touchstone, something that defines the moment in a certain way, but that doesn’t mean you remember it. It simply means you have a way to identify the time.

            You can’t remember an overwhelming percentage of your life, you fight hard to remember names, you have to write down passwords, and someone from your past, you know you know that person, you went to school with them, but who in the hell are they?

            You don’t remember. You rarely do, actually. Yet you let what memories you do have to have you, to control how you feel, and to judge you.

            Let go of the past. You really do not remember it.

Take Care,

Mike

Of The Sun

Somewhere, in a past so distant that the human brain cannot comprehend the matter, some tiny and insignificant organism was exposed by the tide, yet survived, for being a tidal creature, it could more handle a drier environment. It needed moisture, and when the tide returned again, it was saved from desiccation. Over millions of years, the descendants of the tiny would-be land creature grew more and more tolerant of being away from the sea, and plants were born.

The sun knew nothing of this, knowing nothing of something so tiny as the earth, so far away that its gravitational pull would capture it, but not be affected in any great way. The sun spun on  away to wherever it would be guided, the earth spun around the sun, millions and millions and millions of trips around and around. Billions of creatures lived and died, dinosaurs rose and fell, species evolved or went extinct, and finally, in a space of time so incredibly tiny, so minute as to not be noticed by anything capable of notice, I arrived, and you did, too.

Here are some photos of the nearest star, captured in a moment, the descendants of the first land plant growing around us. To me, and perhaps to you too, the Live Oaks are giants, and perhaps, to them, we are but flashes of life, brief, dangerous, yet temporary.

The morning starts cold, the sun trekking Her way towards the north now, longer days, yet not warmer, not yet. The light slashes through the darkness, feeding the trees, giving heat to the earth, brightening the sky, and I am there to see this, as I am wont to do, very early to greet the sun.

In some way, every living creature is kin to all others, to the first, to the last, to all who were and all who are, and all who will be. The sun spins, spiraling to a tune that lives inside us, too, as we make our way to wherever it is we go.

I greet the sun early, as I am wont to do. The light of the day begins like a liquid, flowing into the spaces it can, then overflowing to the rest of the earth, and into the sky. I greet you too, fellow beings, kin of the first creatures, survivors of your spins around the star nearest to us all.

Enjoy your day, of light and warmth if you have it, and if you do not, may the next spin of the earth, bring you a moment in the sun.

Take Care,

Mike